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Mami is pregnant again, this time with Francisco’s baby. Francisco starts to have incredible stomach pain, which everyone think is appendicitis. Unfortunately, it is cancer. The family moves to a bigger place so that Tata can live with them and help take care of Francisco, whenever he is able to come home. In the hospital, he is almost literally wasting away before their eyes. It’s a shock and another reminder of mortality.
The baby, Franky, is born. Mami and Francisco come home from the hospital on the same day. For days, Francisco lies in bed with the baby, singing to him. His parents do not approve of him living with the Santiagos. They think he should be home with them, but he resists. On a trip to visit him in a hospital, he tells Mami that he has had a vision and has seen an angel. Mami tells him that it is nonsense, but days after being released into his parents’ care, he dies. Mami goes into mourning for a full year.
For several weeks after moving to Brooklyn, Esmeralda wrote letters to Papi, describing the city, her school, and more. When Delsa arrives from Puerto Rico, she tells Esmeralda that Papi has a new family and has married. After Mami took them to New York, he scattered his children among neighbors and rarely saw them. He almost completely disappeared from their lives. Esmeralda confronts Mami, who says that yes, Papi has a new family, and that he will never live with them again. Esmeralda writes to him and says that he is dead to her. Mami insists that they always remember him, and remember that he loves them. Esmeralda is unpersuaded.
Mami gets a job as a thread cutter in a factory, then quickly moves up to stitching work, which she enjoys. She works hard and is happiest when she is making things that she loves. She tells her children that hard work is what it takes to get ahead. Esmerald is increasingly aware of how much her mother has sacrificed to give her opportunities. However, she remains skeptical, thinking that Mami’s optimism might be false—a mask for the children’s sake. She does not believe that anyone who has had as many hard times as Mami could actually find reasons to smile.
She begins to have problems with her uncle Chico, who begins watching her closely when he drinks. One day, he pleads with her to open her shirt for him so he can see her breasts. He offers to pay her. She tells him to get away and he does. However, soon after, when he is near him, he pinches her nipple and tells her never to tell anyone. She is furious and disgusted. Is this what men do, even when they are family?
Mami loses her job and takes Esmeralda to the welfare office as her translator. Progress is slow and Mami quickly loses patience. When a worker is rude to her, she punches him. Esmeralda is embarrassed to see her mother lose control. She continues translating for other Puerto Ricans, however, and finds herself in a moral quandary: sometimes she knows the people are lying to get welfare. But she justifies her translation for them as helping the Puerto Ricans.
The neighborhood they live in is dangerous. Gangs and graffiti abound. Esmeralda is afraid and realizes that she’s heard so many horrible stories that every man starts to look like a potential rapist to her. She comes home to find Mami in a bad mood, annoyed that Esmeralda was out so late. She comes at her as if she’s going to hit her, but Esmeralda grabs her wrists and says that she will never let her hit her again. This is a huge shifting point in her independence and confidence.
Esmeralda changes school again. In ninth grade, she is put in a class with the smartest students. A guidance counselor, Mr. Barone, asks her what she wants to be when she grows up. She realizes that she no longer wants to be a jibara, but she tells him that she loves to read. He tells her that her aptitude tests showed that she would be good at helping people. He wants to help her figure out her goals so she can get into a prestigious college.
On the way home, she walks with a new friend, Yolanda. She tells Yolanda that she doesn’t like people much, so she doesn’t know what to make of the aptitude test results. Yolanda is no longer friendly with her the next day. She visits Mr. Barone again and tells him that she wants to be a model. He intuits that she actually means an actress, and tells her that there is a local performing arts school. He is going to see about getting her an audition. She is encouraged and excited.
New York begins to feel suffocating to Esmeralda. She longs to feel grass beneath her feet instead of pavement. She asks how people can possibly live like this and says she hates her life. Mami says if she hates her life, she should do something about it. That something turns out to be the performing arts school auditions, which are held one month later. She intends to present a monologue from a play called The Silver Cord.
After a month of coaching from her English teacher, Esmeralda auditions for three women. They are well groomed and seem so fancy and confident that she forgets her English momentarily. She delivers her monologue three times as quickly as she had intended, and then is asked to wait in the hall. When they call her back in, they ask her if she has ever done pantomime. She pantomimes decorating a Christmas tree with a woman named Bonnie. After, they say they will be in touch. Esmeralda is certain that she has failed, and that she has let everyone down who worked so hard to help her. She knows that she’ll never get out of Brooklyn.
Ten years after graduating from that same performing arts school, Esmeralda visits the school as an alumnae. By then, she is living in Boston and is a graduate student at Harvard. She meets one of the women for whom she auditioned that day. The woman mentored her during her three years at the school. She tells Esmeralda that she still remembers her audition: she says they were all impressed by the bravery it took to stand before them and try so hard.
Esmeralda laughs, knowing that her “chutzpah,” and not her talent, got her in the door. It is obvious that her English is sophisticated now. Esmeralda tells her that by the time she graduated from high school, she was one of eleven children. She is the only one who went to college.
The woman tells her another story. Esmeralda was absent on her first day of school. They called her house. Esmeralda told her that couldn’t come to school because she had nothing to wear. Finally, she admitted that she needed to go to the welfare office with her mother that day, in order to translate for her. She was ashamed. But the woman assured her that many of the students were on welfare. The next day, Esmeralda showed up at school, ready to go. And now, she is about to graduate from Harvard, far, far away from her childhood and from Puerto Rico.
“I’m glad you made that phone call,” Esmeralda tells the woman.
Chapters 12 – Epilogue show the most significant progressions in Esmeralda’s character arc. Now that she is in New York, she is exposed to a different side of Mami. Mami’s boyfriend Francisco is warm and attentive, and Esmeralda sees her mother glowing with his love and attention. He is always there for her and her siblings as well. Despite her ongoing challenges with their relationship, she begins to see that Mami deserves more respect than, at times, she has shown to her. Not only has she been their mother, she has also had to be their father.
After Francisco dies, she learns that Papi has remarried. She writes to him and tells him that he is dead to her. But Mami insists that the children remember him. This is a selfless act that gives Esmeralda much to think about. But she has finally lost all respect for Papi, particularly when Mami goes back to work and undertakes a new round of sacrifices on behalf of her children. When she is laid off, Esmeralda must face the shame of going to the welfare office with her and helping her ask for government assistance.
Besides her family situation, the most important transition in these chapters are Esmeralda’s exposure to the aggressive sexuality of men, and her interest in college. Her uncle Chico propositions her and then touches her inappropriately, showing her that a woman can never feel truly safe around men, even in her family. This is disheartening but not pessimistic. Esmeralda’s opinions are increasingly formed by what she experiences, not what people have told her. Even if the women in her life had overstated the sinverguenzas and their mistreatment of women (although there is no evidence that they overstated it) Esmeralda now has her own unfortunate stories informing her worldview.
The most significant shift into the next phase of her life, however, is her conversation with her guidance counselor. Esmeralda is forced to answer the question “What do I want to do with my life?” During her audition for the performing arts school, she confronts nearly all of her insecurities at once. But she is able to not only gain acceptance to the school, but thrive. And not only to thrive, but do so well that she is accepted to Harvard University after graduating.
At the book’s end, Esmeralda is finally feeling pride that is not contingent on anyone else’s opinions of her. She has a much better idea of what she is worth, what she aspires to, and how she can shape her own identity, while still retaining and using the best parts of her formative years to enrich the rest of her life.
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