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63 pages 2 hours read

The Mystery of Mrs. Christie

Fiction | Novel | Adult | Published in 2020

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Part 1, Chapters 35-43Chapter Summaries & Analyses

Part 1, Chapter 35 Summary: “The Manuscript”

August 3-5, 1926

Archie returns to Spain for weeks—without Agatha, who must remain in England to attend to matters after Mummy’s death. When he returns to England, he does not visit Agatha and Rosalind at Ashfield. Agatha sorts through family possessions, struggling with grief and Archie’s neglect. Rosalind, too, longs for Archie.

Madge arrives, delighting Agatha. Madge is concerned that Agatha has forgotten their plans. The next day is Rosalind’s birthday, which Archie will come celebrate, then Archie and Agatha will take a trip to Italy while Madge watches Rosalind and continues sorting through Ashfield. When Archie arrives the next day, Agatha restrains her emotions for his benefit. He is distant to Agatha but warm to Rosalind. This change in demeanor feels significant to Agatha, though she is not sure what it means.

In private, Archie tells Agatha he hasn’t planned a trip; he no longer wishes to travel. She’s relieved, and then Archie discloses that he has been spending time with Nancy. At first, Agatha doesn’t understand. Archie, offering no apology, says he and Nancy have fallen in love, and he wishes for a divorce.

Part 1, Chapter 36 Summary: “Day Eight After the Disappearance”

December 11, 1926

Archie overhears police officers laughing in the kitchen at Styles. The home secretary wants Sir Arthur Conan Doyle (the creator of Sherlock Holmes) to assist in the search for Agatha. The police officers chuckle over the news that Conan Doyle, when asked for help, referred the police to a psychic, who touched one of Agatha’s gloves and reported that the owner was “not dead [but] half-dazed” and would “surface next Wednesday” (135). The police plan a large-scale search for the next day, which they call the “Great Sunday Hunt.”

Rosalind enters the house, smile vanishing when she sees Archie. Charlotte mentions that their cook is upset by the disappearance, and Archie wonders if it would make him look good to comfort the staff. Archie summons Charlotte to the study to ask about the letter. She apologizes for telling the police. Her own letter from Agatha merely discussed the change of plans regarding the weekend, and posited to the police that Archie’s was likely similar in content. Archie is pleased at first, then remembers he told the police the letter had nothing to do with the disappearance. Charlotte reluctantly admits that she told the police of the divide between Archie and Agatha and that she suspected an affair.

Part 1, Chapter 37 Summary: “The Manuscript”

August 5, 1926

Archie reluctantly stays at Ashfield for Rosalind’s birthday. Agatha is shocked that Archie wants to divorce, and laments that her distant relationship with Rosalind is due to her attention to Archie. She hides her distress from Rosalind, but Madge notices and demands to know what is going on. Agatha admits that Archie wants to leave her.

Part 1, Chapter 38 Summary: “Day Eight After the Disappearance”

December 11, 1926

Archie frantically searches the house, checking for any evidence of his affair with Nancy. Madge calls, angry that Archie hasn’t updated her as frequently as he promised. She wants to join the search, but Archie convinces her not to. Madge then asks to take Rosalind, but Archie refuses, more out of concern of what Charlotte will do or say given additional free time than of what’s best for Rosalind. He says he knows what is best for his own daughter and is shocked when Madge reveals she knew about his marital troubles, as Agatha had told him Madge did not know.

Part 1, Chapter 39 Summary: “The Manuscript”

August 7, 1926-October 14, 1926

Agatha and Rosalind return to Styles. Agatha agonizes over Archie’s affair, blaming herself for neglecting him during her time of grief. She vows to reunite her family. Archie reluctantly agrees to try to reconcile over the course of three months, which Archie and Agatha begin with a trip to the Pyrenees. Within a week, Archie is refusing to speak to Agatha. When she presses him, he speaks to her so cruelly she briefly worries he will push her off the balcony to plunge to her death.

Part 1, Chapter 40 Summary: “Days Eight and Nine After the Disappearance”

December 11-12, 1926

Archie struggles to remember the press has no evidence that he has done wrong, only “innuendo and inference.” The Daily Mail solicits commentary from novelist Dorothy Sayers, who is invited to the Great Sunday Hunt. To distract himself and mend ties with his daughter, Archie invites Rosalind to help him wash his car. The gardener’s son interrupts them, obliviously prattling about the scope of the hunt. Rosalind asks why Archie didn’t tell everyone Agatha was away writing. He ignores the question, telling her not to worry, and that the “terrible situation” will soon be resolved.

Part 1, Chapter 41 Summary: “The Manuscript”

December 3, 1926

Halfway through their trial reconciliation, Archie and Agatha return to Styles. Agatha is tempted to give up on reconciliation but perseveres for Rosalind’s sake. Agatha takes frequent walks around the Silent Pool to calm herself. She is anxious when Archie is absent, worrying he is with Nancy, and anxious when he is at Styles, trying to make their life there appealing to him. She writes The Mystery of the Blue Train, eager to capitalize on the commercial and critical success of The Murder of Roger Ackroyd. Emotional unrest makes writing difficult.

Over breakfast, Agatha begs Archie to spend the weekend with her. He plans to go to the Jameses, and she knows Nancy will be there. She argues that he has not given their reconciliation enough effort, but he insists he will be moving forward with divorce proceedings. Agatha grows angry. She says she will only agree to a divorce if Archie names Nancy as the reason for the separation. Archie refuses; he will not damage Nancy’s reputation. Agatha points out the irony of caring about his mistress’s reputation over his wife’s. Archie grabs Agatha furiously. She pulls away, knocking over a teapot. Archie shoves her down onto the broken china and storms out.

Rosalind and Charlotte arrive, dismayed to see Agatha on the floor. Agatha tries to pass it off as an accident, but Rosalind says that she knows there was a fight and that Archie does not like Agatha.

Part 1, Chapter 42 Summary: “Day Ten After the Disappearance”

December 13, 1926

The press continues to report on Agatha’s disappearance. Speculation mostly blames Archie, though some reports suggest this is a publicity stunt. Archie feels the end of the ordeal is near, a belief cemented by his receipt of a packet of papers entitled The Manuscript. Archie wonders how his life has come to this point. Kenward and Goddard hammer at the door of Archie’s study, announcing that if he does not open the door, they will break it down. Archie opens the door, feeling resigned to his fate.

Part 1, Chapter 43 Summary: “The Manuscript”

December 3, 1926

The day of the argument, Agatha dresses carefully for dinner, which she hopes Archie will attend. She packs a suitcase, hoping their weekend in Yorkshire can be saved. Agatha waits alone at the table as different courses of dinner are served. She isn’t hungry and grows superstitious that if she eats before Archie returns, he never will. She resigns herself to the realization that he isn’t coming. The phone rings and Agatha knows things have changed. (The identity of this caller is not disclosed clearly; the reference in this chapter is to a male caller, though later the text refers to it as a standard check-in call from Charlotte. The “elements of fiction” of “The Manuscript” that Agatha describes in Part 2 may account for this discrepancy.)

Part 1, Chapters 35-43 Analysis

Critical to the novel’s preoccupation with The Promise and Peril of Marriage, Archie’s announcement that he wants a divorce catalyzes the collapse of the “perfect wife” narrative Agatha has built around herself, and sets her on a new path toward self-reclamation. When Archie reveals his affair, he does so without apology confirming everything Agatha has tried so hard to prevent:

‘I don’t think you understand Agatha. This isn’t some innocent friendship. I’ve fallen in love with Nancy.’ Finally, he looked at me directly. In those vivid blue eyes, I saw his disgust in me. His disappointment in my aging looks and heavier body, different from Nancy’s sweet, youthful visage and curvaceous but thin physique. His revulsion at my wild mourning for Mummy when Nancy was discreet and quiet in her manner […] ‘I did tell you once that I hate it when people are ill or unhappy. It spoils everything for me. It spoiled us, Agatha’ (133).

Archie’s announcement is critical to the novel’s discussion of Selfish Love. His dislike of Agatha’s aging indicates that Archie’s version of a “perfect wife” includes a wife who is immune to time itself; he wishes her to eternally embody a feminine ideal that remains consistently desirable to him. Nancy (who does not have a single line of dialogue in the novel and is only physically present for a single scene in Chapter 2) is an unobtrusive object, in Archie’s characterization of her, upon which he can project his “love” as he does with Rosalind and once did with Agatha. While he aims to protect Nancy’s reputation during the police investigation, Archie does so at the insistence that he loves her and knows what’s best for her; Nancy’s feelings are not considered. His profession of love is about Archie alone, serving as a “legitimate” justification for his infidelity. Archie’s “perfect wife” is thus not a person at all, but rather an emblem of femininity—a mirror he can hold up and see his ideal self reflected back to him. Agatha, as a full person with ambitions, desires, and flaws, will not ever be able to embody this role and the moment of his announcement which sets off the 11 days of Agatha’s disappearance, Agatha is finally able to recognize the futility of trying.

In Chapter 42, the last of the “Day X after the Disappearance” sections, the timelines between the two sections in Part 1 converge to propel the novel toward the climax. A “sheaf of paper entitled The Manuscript [is] delivered to Styles [to remind Archie] of the inevitability of the outcome” (153). This document coincides with what readers have encountered in “The Manuscript” section of Benedict’s novel (barring, possibly, a section that Agatha describes in Part 2, which describes Archie attempting to murder her near the Silent Pool; the novel is not explicit whether or not this scene appears in the sheaf of paper Archie receives or whether Agatha withholds it to ensure Archie’s compliance in the remainder of her plan). That the appearance of this manuscript in the “Disappearance” timeline occurs on the same page as a reference to The Murder of Roger Ackroyd is another instance of Benedict’s interplay between Differentiating Fact From Fiction, unreliable narrators, metafictional elements, and the conventions of the detective novel. Benedict’s reference to Ackroyd’s narrator (who also turns out to be the murderer) offers an implicit compliment to Agatha’s talent as a writer—even self-absorbed Archie, after reading The Manuscript, asks, “Is he really to blame for it all, as he’s read?” (153). This question demonstrates the power of stories to influence thinking, as The Manuscript leads Archie to reevaluate his own complicity, if only for a moment.

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