52 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
It’s August 1965 in New York City. Newlyweds Guy and Rosemary Woodhouse have just signed a lease on a new five-room apartment when they learn that a four-room apartment in the Bramford, a desirable Victorian building, has become available. Rosemary wants to see the apartment despite their lease. Guy is skeptical about the apartment’s size, but Rosemary says they can turn the dining area into a nursery when they need one.
A man named Mr. Micklas meets them at the Bramford. He tells Guy and Rosemary that the previous tenant, the elderly Mrs. Gardenia, died a few days prior. She had been in a coma for several weeks and died in the hospital.
Upon entering apartment 7E, Rosemary immediately notes that the kitchen alone is larger than Guy’s entire bachelor apartment. The room opposite the kitchen is full of plants, books, and papers. Rosemary finds a partial note in which Mrs. Gardenia expresses anxiety about an “intriguing pastime” with which she can “no longer associate” herself (8). Rosemary imagines how the dark room would look as a brightened-up nursery. Guy asks what the plants are, and Rosemary guesses they are herbs.
Mr. Micklas notices that a large desk at the end of the hallway is blocking a closet. Guy and Mr. Micklas move it slowly and open the closet, which contains nothing of note. Rosemary wonders why the closet would be blocked.
After Rosemary and Guy leave, they walk through the city, discussing the benefits and drawbacks of the apartment. To Rosemary’s joy, Guy finally agrees to take it if they can get out of their other lease. Over lunch, Guy devises an elaborate story. He leaves the table to call the building manager. When he returns, he tells her their first lease is now void.
Rosemary and Guy have dinner with Hutch, a friend of Rosemary’s, who warns them not to move into the Bramford because it is dangerous. The father of two adult daughters, Hutch befriended Rosemary when she first moved to the city from Omaha.
Hutch tells them the Bramford had a bad reputation in the early 20th century. Its former residents included the Trench sisters, who practiced cannibalism, and Adrian Marcato, a witch. Other “ugly and unsavory” things have happened at the Bramford in recent years (17), including the discovery of a dead infant in the basement in 1959. He speculates that the Bramford attracts people who are prone to bizarre, violent behavior and asks why Rosemary and Guy would “deliberately enter a danger zone” (18). Guy says the violent incidents are just coincidences, and Rosemary insists that the only other apartments available are new and all look exactly alike. Hutch finally relents but urges Rosemary and Guy not to introduce themselves to everyone in the building.
Several days later, Rosemary and Guy sign the lease at the Bramford. On August 27, they officially move in.
Rosemary decorates the apartment while Guy, an actor, works with his vocal coach and auditions for plays and commercials. He is discouraged by rejections, but Rosemary believes he will get a good role soon. Rosemary writes to her brother Brian to “share her happiness” (24). She is estranged from the rest of her Catholic family, who disapprove of her marriage to Guy, a Protestant.
The Woodhouses meet some of their neighbors, but not the Castavets, who live next door. However, they often hear Minnie Castavet yelling at her husband, Roman. One night, the Castavets have a loud party, during which Rosemary hears someone playing a flute or clarinet while the other guests sing.
Rosemary only remembers Hutch’s warnings about the Bramford when she goes down to the basement laundry room, which she finds eerie. About two weeks after moving into the Bramford, Rosemary meets a young, dark-haired woman in the laundry room who looks like the actress Anna Maria Alberghetti. The woman introduces herself as Terry Gionoffrio. She has been staying with the Castavets since June.
Terry shows Rosemary her necklace, which she claims is a good luck charm. It is a small silver ball on the end of a silver chain, and the ball contains a greenish-brown plant substance with a bitter smell. Terry says Minnie told her it is European and over 300 years old. She adds that the Castavets took her in and helped her recover from drug addiction, taking her to a doctor and giving her healthy food and vitamins. They are like grandparents to her. Her only biological family is a brother in the Navy. They discuss Pope Paul II’s upcoming visit to New York.
Back in the apartment, Guy tells Rosemary he is worried about losing a part to another actor named Donald Baumgart. Later that evening, Terry comes to see the apartment. She has never seen it before because Minnie and Mrs. Gardenia had a fight right before Terry moved in, and soon afterward, Mrs. Gardenia fell into her coma.
Hutch sends Guy and Rosemary an ice bucket as a housewarming gift, and Rosemary calls to tell him about the Bramford. She says the neighbors seem normal.
One night as she and Guy are returning from a party, they see a group of people, including police, crowded outside the Bramford. The roof of a nearby Volkswagen is crushed, and Rosemary gets close enough to see Terry’s bloody body on the sidewalk. She and Guy tell the police Terry’s first name; Rosemary can’t remember her last name. Mr. Micklas brings Terry’s suicide note to the police. A police officer reads it and says it contains “[nothing] but sad thoughts” (36).
As the police ask the onlookers about the Castavets, Minnie and Roman suddenly appear. They are elegant and youthful, with friendly expressions. The police tell them about Terry’s suicide, and Minnie refuses to believe it, even after she sees the body. Roman, on the other hand, says he knew this would happen because Terry became depressed every few weeks. They claim Terry did not have any family, and Rosemary interrupts, saying Terry had a brother in the Navy. The Castavets notice Rosemary for the first time and say they didn’t know about Terry’s brother. Rosemary introduces herself and Guy, adding that she is also shocked by Terry’s suicide.
The Woodhouses return to their apartment, wondering why Terry killed herself and what she said in her note. Guy learns from his answering service that he got a part in a radio commercial. As Rosemary drifts to sleep, she hears Minnie yelling. That night, she dreams about her Catholic school in Omaha. In her dream, Sister Agnes screams about someone not being open-minded, saying now they have to “[start] all over from scratch” (48). Agnes adds that anyone will do as long as she is young, healthy, and not a virgin. To Rosemary, this doesn’t make any sense. She soon drifts into another dream.
Several days later, Minnie stops by as Rosemary is putting away groceries. Minnie says that Terry was cremated with no ceremony, which was what she would have wanted, and now the Castavets have to move on.
Minnie comments on the décor and paint job and asks Rosemary if she is pregnant. Rosemary says no but that they hope to have three children, and Minnie approves. As they walk around the apartment, Minnie asks how much the furniture and appliances cost. Rosemary enjoys her bluntness. Minnie invites her and Guy over for a steak dinner that night, saying she and Roman do not want to be alone after Terry’s death, and Rosemary agrees.
Guy arrives home that afternoon in a bad mood, having lost the part to Donald Baumgart. He doesn’t want to go to the Castavets’ but agrees on the condition that this will be their only dinner date with the old couple.
These early chapters establish the sense of unease and disquiet that will pervade the rest of the novel, updating Gothic literary traditions and transplanting them to 20th-century New York City. Rosemary and Guy are presented as an idealized couple: young, conventionally attractive, newly married, and upwardly mobile. However, after they visit the Bramford for the first time, The Performance of Social Identities within their marriage starts to fracture. Rosemary seems happy to be a homemaker but hears strange noises coming from nearby apartments and is too scared to go to the basement alone. Guy, a struggling actor, becomes increasingly anxious and withdrawn. Traditionally, Gothic fiction uses eerie or frightening settings to express characters’ emotional or psychological states, and the Bramford exposes the cracks in the Woodhouses’ marriage almost immediately.
Early in the novel, Hutch functions as a prophet, warning the Woodhouses about what they will encounter if they move into the Bramford. Psychologist Carl Jung identified this archetypical figure, who appears throughout myths and fairy tales, as the Wise Old Man. This character has reached a point of stability in his life from which he can offer advice to younger, more impulsive characters. In many stories, the Wise Old Man represents wholeness of self: He is a fully realized adult who has consciously reflected on his own good and bad qualities in a way that younger characters have not. The Woodhouses disregard Hutch’s advice for two different reasons, both of which reveal a great deal about them as individuals: Guy thinks superstition is silly, and Rosemary needs to believe that the Bramford’s dark history is something that can be overcome with love and happiness.
The Castavets are a funhouse mirror version of Hutch; they are older than Rosemary and Guy and take an interest in the younger couple’s lives, but for malevolent reasons rather than benevolent ones. It is significant that Rosemary and Guy hear Minnie yelling through the walls before actually meeting her, as this suggests that the Castavets can subvert or avoid boundaries between distinct physical spaces. Minnie’s invasiveness when she comes over to the Woodhouses suggests something similar: She will not be kept out when she wants to come in. This puts the Castavets in ever starker contrast to Hutch, who wants nothing to do with the Bramford and sends a housewarming gift rather than visiting.
In a similar act of mirroring, Terry is a warped version of Rosemary. Both are young, friendly, and upbeat about the future, and both rely—albeit for different reasons and to different extents—on the kindness of parental figures. In another narrative timeline, Terry would have experienced everything Rosemary ultimately experiences. Her brief storyline is another realization of the novel’s Gothic elements, particularly the way Gothic fiction uses gender. These narratives often feature young women fleeing from villainous older men and searching in vain for absentee parents. Terry, whose only living relative is a brother, is in many ways an archetypal Gothic female heroine. The only way she can “flee” her situation is to die, and whether she dies by suicide or murder, the Bramford is implicated in her death. Architecture is frequently central in Gothic literature, with dark, labyrinthine buildings being the source of psychological and physical torment, and the Bramford will certainly continue in this role throughout the rest of the novel.
These chapters also introduce a central theme, The Unnatural Within the Natural. Throughout the novel, ordinary appearances conceal sinister forces, conspiracies, and histories. The Bramford epitomizes this idea. It’s a grand, attractive old building and a desirable New York address, but almost as soon as Rosemary enters, she sees signs that all is not as it appears. Apartment 7E presents several mysteries, chiefly that of the blocked hallway closet, the true, malevolent purpose of which will become clear only at the end of the novel. Then there are Hutch’s stories of the building’s lurid past, which features witchcraft, cannibalism, infanticide, and other acts of unexplained violence. Hutch suggests that the building itself exerts an invisible force on its denizens, which speaks to the novel’s anxiety about society’s hidden undercurrents and their power to disrupt the status quo. Similarly, Rosemary and Guy are the image of respectability, but the facade of their normal, happy marriage conceals a much more troubled—and troubling—relationship, revealed in Rosemary’s sexual assault and Guy’s involvement with the cult in later chapters.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Ira Levin
Books Made into Movies
View Collection
Books that Feature the Theme of...
View Collection
Fantasy
View Collection
Good & Evil
View Collection
Horror, Thrillers, & Suspense
View Collection
Jewish American Literature
View Collection
Mothers
View Collection
Mystery & Crime
View Collection
Popular Study Guides
View Collection
Religion & Spirituality
View Collection