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Throughout the novel, Serle uses Katy Silver and Carol Silver’s parallel narratives to establish the novel’s primary conflict: Katy’s identity is inextricable from Carol. Serle hence explores the complexities of close mother-daughter relationships. Katy and Carol rely on each other heavily and spend most of their time together. Katy views Carol as a wife and mother first and as an individual second. She idealizes her mother, who is an image of perfection. Katy identifies herself as adjacent to her mother. Carol does the same. Katy says that their love “was truer, purer, than” (7) the love Carol had for Chuck. Serle uses the language of romantic relationship when writing about Carol and Katy to imply an intimate bond that runs deeper than any of their other relationships. They both prioritize the other over everyone else, including themselves. Katy does not know who she is outside of their relationship, and neither does Carol. The novel illustrates the intensity of this dynamic and how it can be both influential and harmful.
As an adult, Katy, who moved across the country to live next to her parents, has her own room at her parents’ house with a bathroom filled with a second set of toiletries for when she wants to spend the night. Carol and Katy get weekly lunches on Tuesdays. Serle explores the complexities of this sense of routine. Katy and Carol lean on each other for support to cope with the hardships of life and societal expectations of women. However, the novel explores the detrimental effect of this relationship on Katy’s sense of identity: Katy feels as though she “belongs to [her] mother” and that without her she is “simply a stranger” (34).
Serle develops her treatment of this theme as she explores Carol and Katy’s identities as separate people. At first, both Carol and Katy take care of their husbands. Carol does all the cooking for Chuck and makes sure the house is always clean, whereas Katy makes sure that Eric has appointments scheduled. Part of Carol’s decision to leave Chuck and live in Positano for the summer resides in her having to sacrifice her desire to be a designer to be a wife and mother. Despite this sacrifice, Katy views her mother as a perfect wife. This limits Carol’s identity and does not consider who Carol is as an individual. Katy’s perception of Carol initially cannot expand past the boundaries of the domestic sphere. However, she comes to see both Carol and herself as an individual. The magical temporality of the novel allows Serle to step beyond a traditional model of mother-daughter relationships and explore the individuals enshrined within these familial titles.
The novel depicts the complexity of mother-daughter relationships through illustrating Katy’s admiration for and a need for control over Carol. Despite their unwavering bond, Katy and Carol’s relationship is not perfect.
Katy’s perception of herself depends greatly on her mother’s opinion and societal standards. At the beginning of the novel, Katy feels lost without Carol, and she ultimately does not know how to move forward with her life. Both Katy and Carol are on a journey for self-discovery as they attempt to understand their identities outside of being wives and mothers or daughters. During her trip to Positano, Katy not only learns more about herself and who she is, but she also discovers Carol’s identity as a woman independent from the roles of wife and mother. Serle hence uses setting to represent and reflect internal states in the novel.
At the beginning of the novel, the confined setting of California reflects Katy’s uncertain sense of identity. Before going to Positano, Katy looks at Eric and thinks, “now here we are, experiencing all that life has to deal out, and it has broken us. It’s broken me” (18). Serle begins Katy’s observation with a statement of the setting, “here we are,” to emphasize that her sense of confinement relates to her need to discover her identity. Katy lumps herself with Eric just as she does with her mother. She does not view herself as a single person, but she positions her identity alongside those whom she cares about the most. By believing that life’s experiences have broken her, Katy feels trapped and powerless. She feels confined in her marriage, believing that she must be responsible for Eric.
The trip to Positano allows Katy to break free from the preconceived notions of who she must be and how she must behave. During her trip, she makes decisions for herself like having sex with Adam Westbrooke and granting herself the time to simply relax on the beach at Capri. This frees her from feeling confined and provides her with power and agency over her own choices, allowing her to gain a more hopeful outlook on life.
The parallel narratives of Carol and Katy are reflected in the fact that they share the experience of discovering their identity through travel. The discovery that Carol left Chuck and Katy as a baby to pursue her dream of being an interior designer in Positano dismantles Katy’s perception of both her and her mom. Carol, who was overwhelmed with life as a mother and wife, found solace in Italy, and she used that as an opportunity to explore her identity outside of the domestic sphere. Katy not only gains a better understanding of herself, but she also recognizes both her and Carol’s individuality: “I am my own, just as she was hers (239).
Serle uses the setting of Italy to create space emotionally and physically for Katy and Carol to understand their identities. Just like her mother, Katy lost a sense of self. By traveling alone to a foreign city, they are able to spend time alone and with new people that do not know them. Therefore, they can utilize this time to understand their own interests, desires, and needs, while Katy gains a better sense of who her mother is at the same time.
Throughout the novel, Serle presents the grieving process synonymously with love. Each of the characters undergo their own grieving process in some capacity, whether that be Adam losing his sister, Katy losing her mother, or Carol losing her life before marriage. Regardless of what the characters are grieving, each of these situations coincides with the characters’ view of love.
For Katy, the loss of her mother ultimately uproots her entire life. She does not know how to live without her mother’s guidance, and since she views her mother as her “greatest love,” Katy must dismantle her worldview during the grieving process. However, as she embarks on her trip to Positano, Katy realizes that the love that she shares with her mother will allow her to overcome her grief. In Carol’s letter to Katy, she writes: “And above all else, I hope you know that even if you can’t see me, I am always with your” (243). Even though Katy has lost her physically, Serle suggests in the novel that love transcends the bounds of time; indeed, the temporal structure of the novel hinges upon this concept. Katy ultimately depends on love to move forward in her own grieving process.
For Adam, the loss of his sister induces a fear to love at all because of the pain that it can bring. Having watched his mom grieve the death of Bianca, his sister, Adam is scared to fully love another person because he is unsure of how he would move past their loss. He says, “[i]t’s the suffering that scares me” (168). Serle illustrates how impactful and all-encompassing grief can be on an individual, and Adam’s response is the result of this. However, as he gets to know Katy more, he realizes that love can be worth the pain.
Overall, the novel suggests that grief goes hand in hand with love; without one, the other does not exist. This love looks different for each character in the same way that grief manifests itself differently.
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By Rebecca Serle
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Grief
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