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Monday’s family was at Claudia’s house after Halloween. Mrs. Charles checked the children’s candy for razors or pills. April was happy, taking care of little Tuesday, the youngest Charles sister, over whom Ma fawned.
The mother of Shayla, one of the popular girls in school, was being abused by her husband. The Ma and Mrs. Charles talked about the bruises they saw on her face when she opened the door for trick-or-treaters. Mrs. Charles thought they should intervene, but Ma disagreed. Their mothers didn’t always get along, so Claudia and Monday tried to extinguish the fires between them.
Mrs. Charles ranted about the government spying on people through their computers, including keeping tabs on what books people were reading. Ma interrupted her, telling the girls to get ready for bed. Mrs. Charles watched her daughter closely and requested a kiss; Monday seemed rigid and uncomfortable. As Claudia climbed the stairs, she heard Mrs. Charles say to Ma, “Janet, that man is going to kill her one of these days! Are you going to be able to look yourself in the mirror when he does?” (90).
Monday wanted to go to a Halloween party at the rec center, to Claudia’s surprise. Too many kids from her neighborhood attended it, which usually kept Monday away. The next day, Ma spoke to Shayla’s grandmother at church, and Mrs. Charles spoke to the school. Shayla’s father went into hiding.
Claudia reflects on Mrs. Charles’s color: yellow. She sees Monday’s mother as incredibly bright and vivid, in positive ways as well as negative. However bright she was on her own, “one drop of another color could spoil her brightness” (93). Mrs. Charles is beautiful yet dark and cold.
Claudia’s grades suffered because she was consumed with Monday’s disappearance. She spoke with Mrs. Valente again. After sharing half her lunch with Claudia, Mrs. Valente took her once again to the office. The office worker again said Monday wasn’t registered for school. She tried calling the home, to no avail. The school social worker had notified the Child and Family Services Agency (CFSA) but didn’t follow up due to a family emergency.
Claudia associated social workers with child abuse. She again wondered if Monday would have told her she was being abused. Mrs. Valente promised to keep following up and told Claudia not to worry too much.
Claudia meditates on the colors that represent dancing for her: grays, silvers, and charcoals. Dancing, for her, is like imitating the shadows moving beneath the surface of a river.
She has her solo lesson with Ms. Manis today. Ms. Manis chooses the song each girl dances to for their solo, in order to challenge them to dance outside of their comfort zone. For Claudia, she’s picked Adele’s “All I Ask.” It’s a beautiful song, but Claudia is disappointed. The routine she and Monday had choreographed will not work with such a slow song and she will have to come up with her own moves if Monday doesn’t return soon. Ms. Manis tells her: “This, being your first solo, I picked a piece that has a mix of grace and fire. Trust me, it’s perfect for you. Perfect for healing. Listen to it a few times and become familiar. You’ll soon see yourself in the song” (101).
As Claudia is leaving, she runs into an older dancer named Megan, who intimidates her. Megan, however, is friendly and warm to Claudia.
Two Sundays passed before Ma followed through on her promise to visit Monday’s house. When they pulled up, Ma called Daddy to let him know they had arrived. She restated the importance of letting people know where you were. Both she and Claudia were afraid to be at Monday’s house.
When they knocked on the door, an upstairs curtain flapped. Claudia wondered if Monday was locked up there in her room. Mrs. Charles opened the door, looking as unwell as the last time Claudia saw her. She and Ma spoke about the eviction notices in the neighborhood and how white people would build condos there and not hire black people. Ma shared that her pastor wanted to help by forming a coalition. Mrs. Charles sneered at Ma’s religion and distrusted Ma’s pastor.
Mrs. Charles told them Monday was with her father, like she’d told Claudia when she stopped by earlier. She made a jab at Ma about the fact that Ma could only have one child. She said she’d tell Monday that Claudia and Ma stopped by and would give them a call sometime. Claudia noticed Mrs. Charles’s ominous smile as she watched them drive away.
Ma was furious to learn that Claudia went there alone without her permission. She didn’t tell Daddy but held it over Claudia’s head, forcing Claudia to help with preparations for the large Thanksgiving celebration they were hosting. (Daddy has a large family, and Claudia’s cousins are all adults. Monday used to fill the void by being someone her age that Claudia could play with, but not anymore.)
Ma asked Daddy about Tip Charles, Monday’s father. Tip left shortly before Monday’s younger sister Tuesday was born, and Monday hardly ever talked about him. Claudia found it odd that Monday would be living with him. Daddy called Tip a fool and asked why Ma wondered about him. She told him she was worried about Monday and wanted to check up on her. Daddy advised them to stay out of others’ business.
Ma lost her temper, asking Daddy to get Tip’s number already. Daddy complied, and Claudia was relieved Ma was still on her side.
A flashback to Mrs. Charles’s behavior on the previous Halloween shows how profoundly she had changed by the girls’ eighth grade year. Even though Monday seemed on edge around her mother, Mrs. Charles seemed involved, attentive, and affectionate.
When Shayla’s mother showed signs of abuse, Mrs. Charles vehemently insisted on speaking to others about the abuse before the husband killed the mother. Ma argued that others should stay out of family business; a similar viewpoint kept many adults from taking action when Monday disappeared. Ma viewed Shayla’s mother’s as a marital disagreement rather than as a crime being committed against Shayla’s mother. Her attitude seemed to take for granted that women should expect violence at home, and that no one should intervene.
The very different Mrs. Charles who answered the door when Ma took Claudia to check on Monday—appearing to be under the influence, as she had when Claudia went over earlier—claimed that Monday was with her father, a story that seemed unlikely to Ma. She also said hurtful things about how Ma could only have one child; a later chapter will reveal that Ma has suffered multiple miscarriages. When Ma enlisted her husband to try to track them down, Daddy echoed Ma’s earlier perspective on staying out of others’ personal business. That time, Ma advocated for investigation into the matter.
Other adults took half-hearted action to find out what happened to Monday. At one point, the girls’ school social worker notified CFSA of Monday’s disappearance, but the school social worker had failed to follow up. Mrs. Valente promised to continue investigating, but again, the adults appeared less than motivated to find Monday. The conflict between whether abuse is a matter for the authorities or a family matter will continue throughout the novel.
Back in the present, Claudia finds solace in dance, describing dance as gray, a reference to imitating the shadows. She has to choreograph her own dance routine without Monday, and she meets Megan, with whom she will develop a post-Monday friendship.
When she and Claudia stopped by Monday’s house together, Ma called Daddy to let him know where they were, and she referred again to the importance of leaving breadcrumbs. As Claudia struggles with knowing where she is in time, the breadcrumb habit will help Ma keep track of her disoriented daughter.
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By Tiffany D. Jackson