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The next morning, Lucia, Richard, and Evelyn eat breakfast before embarking on the road once more. They make good progress before they see police blocking off the road due to a multiple car pile-up ahead. Forced to wait until the accidents are cleared, Richard’s ulcer begins to act up. Lucia arrives at his window with medicine but is told by the cops to return to her vehicle until the accidents are fully cleared. When they are finally allowed to proceed, Richard pulls over to vomit in the road. He tells everyone that he does not need to go to a hospital but needs to go to a bathroom to relieve his bowels. Lucia takes over driving for Richard while Evelyn drives the other car alone. In the passenger seat, Richard begins to share his most difficult memories of his younger years in Brazil.
When Richard and Anita were married in Brazil, they lived an idyllic life with their child, Bibi. While he considered himself as having “a good head for liquor” (207) then, Anita disapproved of his drinking, so he curbed his alcohol intake. After giving birth to Bibi, Anita wanted to have more children but suffered three miscarriages, which lowered her spirit. Through the care of the women in her family, Anita improved. Richard and Anita rekindled their romance, and soon Anita was pregnant with their second child, Pablo. After several months, Pablo passed away in his crib to sudden infant death syndrome. As Anita sunk into a deep depression, Richard was “rejected by his wife and banished to the farthest corner of his home” (210). Richard started drinking heavily again to cope.
As Richard finishes his story, Lucia is stopped by a police car once they near Horacio’s cabin. Richard vomits and tells the officer that Lucia is his housekeeper. For the officer, “The stereotypes automatically fell into place” (211), so he accepts Richard’s story and tells them to proceed ahead without a ticket.
Lucia, Richard, and Evelyn finally reach Horacio’s cabin. Lucia and Evelyn make sure that Richard gets to rest while they try to work the generator to produce heat to no avail. With Richard resting, Lucia and Evelyn quietly talk among themselves.
After Evelyn was reunited with her mother in Chicago, she went to live with her, Galileo, and their two children in a trailer. While Miriam and Galileo worked long hours cleaning offices and painting houses, Evelyn attended high school and watched over the two children. Occasionally, they would be frequented by Doreen, Galileo’s daughter from another woman. Doreen was a junkie who frequently demanded money from Galileo. Galileo always relented to encourage her speedy departure.
One day, Doreen came into the trailer looking for Galileo while he was gone. She spotted Evelyn and attacked her, demanding to know where the money was hidden in the house. Evelyn hit her head on the kitchen counter and blacked out from the impact. Realizing what she had done, Doreen left immediately. A neighbor who heard the commotion came by the trailer and called the police.
When the police arrived at the hospital, they interrogated Evelyn and her family members about her undocumented status. Evelyn tried to explain that her documents washed away while trying to cross the river into the U.S., but the immigration officer insisted that since several years have passed since that time, they should have issued new documents by then. Galileo attempted to stand up for Evelyn, insisting that “No one is illegal in this life” (225). However, the officer was undeterred, claiming that without proper documentation proving her age, Evelyn could be considered eighteen years old and therefore no longer a minor. Without her minor status, she could be deported. She would have to prove her refugee status in immigration court. Despite the extremity of her circumstances, her experiences with gang violence in Guatemala was not unique to court narratives, so her luck would depend on the judge assigned to her case.
While Galileo wanted Evelyn to go through the long court process, Miriam found another way through the help of her local church. A colleague at the church provided Miriam with a contact in New York where Evelyn could go to find work. Evelyn took a bus to New York and began work with the Leroys.
Lucia and Evelyn share that Kathryn Brown has visited them in their dreams as their lost siblings have in the past. Lucia shares her story of how her mother finally saw the ghost of Enrique as she was preparing for death. Obsessed with finding Enrique, Lena’s health gradually deteriorated until she barely ate. It became difficult for her to consume any food. She began to see visions of Enrique beside her who would explain the circumstances around his death. When she finally passed, she said to everyone in the room, “I love you very much, little ones. Let’s go now, Enrique” (236).
When Richard, Lucia, and Evelyn review their plan to sink the car with Kathryn’s body into the lake, Lucia suddenly experiences guilt and states, “[…] we can’t go through with this” (127). When Richard begins to protest, Lucia shares that she knows how the loss of Enrique plagued her mother until her death; she does not want to reproduce the same pain for Kathryn’s family who are looking for her. She proposes leaving Kathryn’s body in the Omega Institute in Rhinebeck, New York, which is a spiritual place that she feels would be a good resting place for Kathryn.
Richard eventually agrees. While Evelyn waits in Horacio’s lake house, Richard and Lucia move Kathryn’s body from the Leroys’ car to Richard’s vehicle. They find a gun that belongs to Mr. Leroy, which they leave inside the house before driving both cars to a nearby bluff. Richard and Lucia manage to send the Leroys’ car into the lake with great difficulty. Richard estimates that the ice will freeze over the lake again in the next few days, which means that the car will not be found until spring when the ice thaws. When Lucia tells Richard that they will be forgiven for being part of this crime as they are assisting an undocumented woman out of compassion, Richard states, “No act of compassion will save me from my own hell” (244).
While Lucia, Richard, and Evelyn’s lives are impacted by global political forces, there are also everyday aggressions that emerge from these influences. On the road, Lucia and Richard’s racial identities come into play during a confrontation with a police officer. While the officer racially profiles Lucia, who is driving the car, Richard intervenes using his white privilege to assuage the officer’s immediate suspicions. He introduces Lucia, a Latin American woman, as his maid, fulfilling the officer’s stereotypes of the two of them. In the officer’s imagination, the stereotype of the “Latina employee driving her boss, probably to the hospital” makes sense. As Lucia and Richard hope to thwart suspicion about the dead body in their trunk and to avoid a ticket that might place them at the scene, they lean into these stereotypes to forge an escape. In this instance, the larger political forces that color their lives also resonate through everyday instances such as this. To save their lives, they must play into these stereotypes temporarily; Richard must employ his privilege as a white man to get them out of trouble with the law.
These chapters also explore the transformation of Lucia, Richard, and Evelyn through storytelling. While they had originally planned to sink Kathryn Brown’s body in the lake, the stories of loss exchanged between the three main protagonists illustrate how the death of loved ones can alter someone’s life. As they each have experienced deep personal losses, they realize that to prevent Kathryn’s family from finding her body or learning the truth about her murder, they are dooming her loved ones to a life of uncertainty. Lucia’s realization that “we can’t go through with this” sets the course for a more elaborate funeral rite that offers a more humane sense of closure for Kathryn’s body and spirit while also helping them all make peace with their personal losses.
Lucia and Richard are also impacted by Evelyn’s immigration status being called into question years after coming into the U.S.. Despite the ordeals that Evelyn endured in Guatemala and on her journey to the U.S., she has been told that her status for residency is all up to chance when it comes to the U.S. legal system. With the recognition of this unfairness, Lucia justifies intervening in Kathryn’s story to help the dead woman find justice and to prevent Evelyn from further trouble with the law.
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By Isabel Allende