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56 pages 1 hour read

In the Lives of Puppets

Fiction | Novel | Adult | Published in 2023

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Part 2, Chapters 13-17Chapter Summaries & Analyses

Part 2: “The Journey”

Part 2, Chapter 13 Summary

The next morning, the group starts their quest. Victor conceals his humanity with the help of a disguise made by Rambo, “a metal helmet with protruding lights and wires and a vest with an old, unusable battery sewn into the center” (177). They approach one of the Old Ones in the Scrap Yard. The machine is unusually still, and Hap throws a piece of metal at it to make sure that it’s asleep. The android then rips open the Old One’s paneling and holds up Nurse Ratched so that she can gather the information they need from the machine. She creates a map to the City of Electric Dreams, which lies 700 miles southeast and will take them weeks to reach. Overwhelmed by the distance, Victor sinks to the ground. Hap tells him to get back up, saying, “You’re not w-weak. You’re V-victor Lawson. Inventor. Creator” (182). Rambo and Nurse Ratched explain that weakness and recovery are not the same things. With his friends’ encouragement, Victor gets back on his feet and faces east.

Part 2, Chapter 14 Summary

Victor and his friends begin their long journey. When they make camp on the second night, Hap volunteers to stand guard while Victor bathes in a creek. While they’re alone, Hap confides to Victor that he doesn’t want to remember his past as HARP and reaffirms his promise not to harm the human. Victor wonders if Hap is capable of love as well as free will, but he doesn’t know how to ask him that. Hap makes Victor laugh, which causes the android to smile slightly. On the seventh day of their journey, they hear an electrical hum and follow it to the road. The path is designed for vehicles, and the current running through it will harm the companions if they attempt to walk on it. Hap demonstrates this by tossing a metal bar onto the road although he doesn’t remember how he knew about the danger. Victor and his friends decide to walk alongside the road because it will eventually lead them to the City of Electric Dreams.

Part 2, Chapter 15 Summary

Victor begins to carve a replacement heart for his father. Rambo hears music, and the group follows the sound to an enormous, bright red house hovering on the side of the road. As they discuss whether to investigate the house or avoid it altogether, their conversation is interrupted by a mustached android in a red tailcoat and a black top hat. The effervescent android introduces himself as the Coachman and claims that he and his floating home travel across the land bringing “happiness to those who need it most” (196). The Coachman raises Hap’s ire by referring to humanity’s eradication as a pest problem and by offering to alter the handsome android’s programming to make him a love machine. When the trusting Rambo blurts out that they’re traveling to the City of Electric Dreams, the Coachman offers to take them there in his house. Although this would make their journey much quicker, they refuse the unsettling android’s offer. The Coachman declares that he will add the four of them to his Museum of Human Curios and Curiosities, ensnares them with a net cannon, drags them back to his house, and renders them unconscious with a jolt of electricity.

When Victor and his friends awaken, they are trapped in separate cages. Thanks to Victor’s disguise, their captor remains unaware that he is a human, thinking him a poorly designed machine with no clear function instead. The Coachman notices how protective Hap and the robots are of Victor, and he threatens to take him apart piece by piece unless they do as he says. The Coachman is going to stage a show in five hours, and he expects their full compliance. After the Coachman leaves the room, Hap worriedly asks Victor if he’s hurt, and Nurse Ratched warns her friends that they’re being recorded. Hap takes Victor’s hand and promises to find a way to free them. Victor asks Hap to go along with the Coachman’s demands for the time being for his sake, and the android agrees.

Part 2, Chapter 16 Summary

Hours later, the Coachman informs his captives that they have reached Paese dei Balocchi, which means the Land of Toys. The desert town’s inhabitants, including robotic children, have already formed a long queue around the house. The Coachman leads a tour group of uninterested, silent machines over to the captives’ cages. Without saying a word, Hap somehow makes all of the robots in the tour group leave. Just as the incensed Coachman demands to know what Hap did, he receives an alert that the Authority has arrived.

The Coachman hides the captives in a dark recess and hurries away. Hap finds Victor’s hand in the darkness, and Nurse Ratched hacks into the house so they can see a live feed from the security cameras. Three androids like the ones who took Giovanni and a fourth who looks exactly like an intact Hap approach the house. The androids inform the Coachman that they’re looking for humans, ask if he’s heard of the Generalized Innovation Operative, and enter the house. After a short but tense search, the Authority androids leave. Nurse Ratched questions why the Authority speak of humans as though there no longer are any. Hap is shaken by the appearance of another HARP, but Victor assures him, “He looked like you, but he isn’t you. You’re here. You’re with us” (228). The Coachman restores the captives’ cages to their former position and charges at Hap with a cry of, “For humanity!” (229).

Part 2, Chapter 17 Summary

The Coachman tries to attack Hap, fearing that he is a HARP who will destroy his cherished collection of human artifacts. Hap seizes the Coachman by the throat and forces him to release them. Nurse Ratched noticed that the Coachman was lying when he told the Authority he didn’t know about Giovanni, and Victor tells the Coachman that Giovanni is his father. Awed, the Coachman touches Victor’s face and whispers, “That’s what he protected. That’s what he carried with him” (233). The Coachman enthusiastically asks Victor to demonstrate the proper use of various human artifacts before Hap pushes him away from Victor. The Coachman is dumbfounded that Hap can resist his programming and kneels in amazement when Hap shows him the heart that Victor gave him.

The Coachman explains that he smuggled Giovanni out of the City of Electric Dreams at the request of the Blue Fairy. The Coachman beseeches Victor to abandon his search for Giovanni and to find a safe place to hide “the last gasp of humanity” (236). The Coachman also warns Victor that his father lost all of his memories when he destroyed his heart and will see him as a threat to eliminate, not as his son. Rambo insists that the love they have for one another will help them bring Giovanni back, and Hap smiles at the vacuum. When Nurse Ratched asks why Victor is so important, the Coachman initially thinks she must be joking. He then explains that humans have been extinct for centuries and that Victor is the only one left.

Part 2, Chapters 13-17 Analysis

In Part 2, Victor and his allies journey toward the City of Electric Dreams, learning about The Complexity of Love and What it Means to Be Human along the way. Adding to the novel’s dystopian setting, the Authority’s city was once Las Vegas. During the 700-mile trek from the Oregon forest to the city where Giovanni has been taken, Hap and Victor grow closer, advancing each of their arcs. Hap reveals his admiration for the human by describing him as a strong, creative inventor in Chapter 13. In the following chapter, Hap advances the theme of Free Will and Intentional Action by reiterating that he doesn’t want to harm Victor or remember his past as a HARP. His absent memories give him a blank slate, allowing him to choose who he will become: “I am Hap. Not HARP” (187). Using his newfound free will, Hap chooses to protect and support Victor, and their relationship changes the android. For example, the usually surly machine smiles for the first time when he makes the human laugh. The events of Part 2 make it increasingly evident that Hap isn’t protecting Victor merely because he promised Giovanni that he would, but because he is beginning to love him. For example, Victor and Hap hold hands for the first time while in the Coachman’s clutches, and they both draw comfort and strength from the contact.

Klune continues his reinvention of Pinocchio with this section’s setting and supporting characters. In Collodi’s tale, the Coachman is an antagonist who uses promises of fun and games to lure the puppet away to the Land of Toys, a raucous place where children play all day and never study. After five months of merry idleness, Pinocchio and the other children in the Land of Toys turn into donkeys, which the Coachman then sells as beasts of burden. Klune’s and Collodi’s Coachmen are similar in appearance—both are described as having round forms and jovial mannerisms that belie their malicious motives. Klune reimagines the merry (albeit malevolent) Land of Toys as a desert town, a “wonderful vacation destination, a lovely little town outside of the City of Electric Dreams” (215). Although there are robotic children in the town, they are as unsettling and eerily silent as the other machines that populate it.

While Klune’s Coachman shares his counterpart’s penchant for kidnapping, he ultimately breaks from the original story by becoming a great help to the protagonist. He unknowingly saves Victor’s life when he hides his captive from the Authority in Chapter 16. After learning that Victor is human, the Coachman metamorphoses from antagonist to ally, contributing to the story's exploration of Free Will and Intentional Action. He chooses to defy the Authority and help Victor advance toward the City of Electric Dreams and his goal of rescuing his father. In Chapter 17, the Coachman reveals that he knows the Blue Fairy, giving the protagonist and his friends a much-needed lead. In addition, the android’s conversation with Victor and his allies in Chapter 17 touches on hearts, which serve as a motif for love. Victor starts carving a new heart in Chapter 15 because he refuses to abandon hope of reuniting with his father despite the dangerous, frightening situations he must face to rescue him. Of course, he is not the only person who loves Giovanni, and Nurse Ratched tells the Coachman that a heart is not necessary for love: “I do not have a heart. Rambo does not have a heart. But we know how we feel” (237). While the artificial hearts remain an important motif for the theme of love, this section addresses the possibility that love is powerful enough to develop in other ways as well, further emphasizing its complexity.

At the end of Part 2, Victor learns that he is the first living human in centuries and the last one on earth. As the Coachman tells him: “They are, for lack of a better word, extinct. Created by Giovanni on orders from the Authority, the HARPs hunted down every last one of them” (238). This revelation significantly heightens the plot’s stakes and has implications for the themes as well, raising questions about What it Means to Be Human if there is only one human being left, and what the legacy of humanity will ultimately be. Several characters, including Hap and the Coachman, are desperate to protect Victor, but Klune’s novel questions what exactly it is they are trying to preserve by defending him.

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