57 pages • 1 hour read
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Content Warning: This story references intense violence and violence against animals.
Ama, a young woman trapped in a time loop, wakes up to the affirmations of a robotic drone bird. After getting ready for the day, she hops across rooftops to get to her neighbor, Mrs. Nagel, and prepare her tea. Back at home, her brother, Ike, begs her to kill him, wanting to free himself from the trap of the Loop. She refuses and goes to the kitchen, where she is attacked and killed by her father.
In between iterations of the Loop, Ama dreams of her mother, who died by suicide before the time loop began, reassuring her. The dream strikes her as something new since Ama hasn’t had any new dreams since the Flash, the destructive event that triggered the time loop. Afterward, Ama dies by suicide to experience the dream once more. However, she fails to see her mother.
Ama shares what she saw with Ike, who explains that Ama’s dream is likely an anomaly—a deviation from the usual sequence of the Loop. Past anomalies have enabled those trapped within the Loop to maintain their memories through the Flash and develop characteristics such as heightened intelligence, musical mastery, or in Ama’s case, increased speed and agility.
Ike decides he wants to tell an acquaintance named Robert about Ama’s dream. Ama stops by their neighbor Mr. Pople’s home to retrieve a piercer gun before she and Ike proceed to Kennedy Street, where Robert lives. On the way, Ike theorizes that the increase in anomalies might suggest that a permanent end to the Loop is imminent.
Kennedy Street is ruled by the sadistic Carl Samuel, who, in the days before the Loop, mocked Ama’s late mother’s suicide. When the Loop began, Ama hunted Carl for sport and tortured him in front of his mother across multiple iterations. Carl eventually showed an equal propensity for violence and developed characteristics that elevated him into a “war god” alongside Ama. Ama is remorseful about the extreme acts of violence her “old self” committed, especially as she eventually turned away from violence out of boredom. She is also aware that her actions molded Carl’s present behavior. As they approach Kennedy Street, Carl shoots Ama in the knee. Ama tries to shoot Ike to spare him from Carl’s wrath, but Carl kills Ama before she succeeds.
She wakes up in her next iteration of the Loop and repeats her routine with Mrs. Nagel, making her tea as she wakes up. She confesses that turning away from her old self to help others feels futile. Mrs. Nagel fails to see the difference between the old and present versions of Ama, affirming that she’s done well.
Going back home, she discovers Carl having breakfast with her father and Ike, whom Carl spared so he could kill Ama in front of her family. After Ike reports that his conversation with Robert was inconclusive, the family band together to fight Carl. Ama attempts to apologize for her actions in the middle of combat and subdues Carl by exposing his head, which he usually hides with a torn-up shirt. Instead of killing Carl, Ama lets him rest in her room. Ama, Ike, and their father then go outside to strike poses against the wall and watch the explosion of the Flash as it obliterates them.
The Loop is a narrative mechanic that invites questions about change, human nature, and the cyclical nature of violence. Ama is reckoning with the difference between what she calls her old self and her new self. Her old self is directly mirrored by the characterization of Carl, who grew out of the violence that the old Ama inflicted on him. In this sense, Carl’s antagonism provides an opportunity for Ama to directly engage with her old self. This once more drives The Normalization of Violence as a theme, asking whether someone can distance themselves from a cycle of violence and grow from it in the process.
The fact that Ama now behaves differently than Carl, who wears a cloth over his head to hide his face, isn’t enough for her to see the change in herself. She often finds herself confronted with the dilemma of whether or not she should engage with Carl’s call to battle. However, doing so would let her run the risk of giving into her base instincts, restarting the cycle of violence that caused her and Carl to rule as war gods. The story resolves the conflict by letting Ama spare Carl with the intention of setting him on the path to rehabilitation, even if that path seems long and uncertain. As with “Light Spitter,” “The Flash” details extreme acts of violence and the lack of peace or closure they provide for Ama. Instead, she finds solace in helping others like Mrs. Nagel. Putting Carl to bed instead of killing him is an active choice to break the cycle of violence, presenting an alternative path forward for Carl.
Ama’s dream of her mother also opens the door for The Transformative Power of Magical Thinking, as it invites the possibility of hope in a hopeless situation. Ike notes that anomalies may be a sign that the Loop is ending, though whether this theory is correct is left ambiguous. Notably, the Loop’s resolution isn’t guaranteed. Rather than live toward a certain end, Ama and her family accept the possibility of living in their never-ending present, embracing it despite the recurring devastation it includes. This makes their last moment in the story symbolic as the three family members decide not only to face the end together but make a game out of it, robbing annihilation of its terrifying power and turning it into something affirmative.
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