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Three years have passed since the events of Part 2. It is 1976, the year of America’s bicentennial. Ray is back to selling stolen goods on the side, and his furniture store is doing well. He and Elizabeth are attending a fundraiser for an upcoming candidate for Manhattan borough president at the Dumas Club, where they are members. The candidate, Alexander Oakes, is a local. Like Elizabeth, Oakes grew up on Striver’s Row, and Elizabeth and her father, Leland, have been busy fundraising on his behalf. May also supports Oakes. In college now, she is home for the summer and splitting her time between her mother’s travel agency and a volunteer position in Oakes’s campaign. John arrives. Almost as tall as Ray, he has nearly outgrown the jacket he is wearing. Ray cannot help but notice that his son is growing up. From his grin and tone of voice, Ray realizes that John has somehow gleaned Ray’s contempt for Alexander Oakes, fundraising, and the Dumas club. Although he tries to hide it from his family, Ray has little patience for Harlem high society. Elizabeth and Leland make introductory remarks, and then Alexander Oakes gives his speech. Leland mentions that he once found Alexander and Elizabeth “playing house.” Ray drily speculates that Leland would have much preferred Oakes for a son-in-law. Ray finds Oakes’s speech unimpressive, overly slick, and preachy. He leaves shortly after Oakes finishes.
Arson continues to be on the rise all over New York City. Although abandoned buildings are the most likely to go up in flames, vacant properties are not always empty. A recent fire in Harlem nearly claimed the life of a young boy, Albert Ruiz, who had turned one of the building’s units into a clubhouse. Ruiz and his mother are Ray’s tenants, and he wonders what kind of person would burn down a building knowing that it might not be as empty as it looks. Arson isn’t the only crime on the rise in the city. Muggings and robberies are also commonplace, particularly in Morningside Park, where police scare tourists by handing out flyers titled “Welcome to Fear City” and nearby Columbia University warns its students to walk around rather than through the park.
Although both John and May refused Ray’s offers of work at his furniture store, his nephew Robert agreed. Robert is the son of Ray’s late cousin Freddie. He lives with his mother, Ellen, his stepfather, Booker, and Booker’s two children. Ray adored Freddie and wants to be a positive role model for Robert.
After buying Robert some new clothes, Ray heads to Donegal’s to meet Pepper. Recently recovered from a back injury, Pepper looks better than ever, and the two watch a boxing match while they talk. The bar, a longtime hangout for old-school crooks, is emptier than it used to be. Ray muses that the old generation is dying off, the neighborhood changing. He tells Pepper about the fire and the injured boy. He asks Pepper to locate the arsonist. Dubious about Ray’s intentions, but open to the job, Pepper agrees to investigate.
Happy to be out of bed, he gets right to work. He begins by checking out Excelsior Metro, the burned building’s listed owners. Their office is an obvious front, so he moves on to an old acquaintance named Mose Hamilton. Mose is a retired arsonist and might have some information. He tells Pepper that arson is now a different game than it was during his era. It has become more organized. Crews work alongside landlords, insurance companies, and crooked city workers. He gives Pepper a few names, and Pepper moves on.
Pepper visits an arsonist named Wilmer Byrd. Pepper punches Byrd once, and the man talks. Byrd has an alibi, and Pepper’s search becomes frustrating. He runs all over town, chasing down men who, in addition to their illicit jobs, maintain legal working status for their parole officers. He vows to quit the job as soon as he can begin something else, even if he is unable to furnish Ray with a name. Leon Drake, his next interviewee, also has an alibi, although Drake is more pugilistic than Byrd, and he and Pepper get into a fight that spills over into the street. After leaving Drake, Pepper reminisces about the good old days. Thinking back to past jobs and the way that the extra-legal world once operated in Harlem, Pepper’s mood sours. Chasing potential arsonists all over the neighborhood pales in comparison to the “real” jobs he’d pulled as a young man. His world is in flux, and he prefers the past to the present. He is so lost in thought that he fails to notice that he is being followed, and he is hit from behind with a baseball bat.
Meanwhile, Ray meets with Martin Green at the Subway Inn in midtown. Ray believes the meeting is simply a chance for the two old friends to catch up, but Green proposes a job—a risky jewel heist. Telling Green that he isn’t in that line of work, Ray declines and leaves, heading to the Dumas club. There, he runs into an attorney named Pierce, and the two talk fires, Harlem, and urban decline. Pierce is quick to blame urban blight in Harlem and other boroughs on city administration. Initially frustrated by Pierce’s interest in “sociology,” as he prefers to blame the arsonists themselves, Ray begins to listen to Pierce.
Pierce argues that arson is just the most visible manifestation of the city’s decline, rather than the cause of it. He cites “urban-renewal” projects and policies like redlining as the true source of Harlem’s troubles, noting that new expressways always find their way through Black and Puerto Rican neighborhoods, never white ones. He cites the city’s willingness to bulldoze “slums,” a practice that decreases the supply of affordable housing and removes the factories and warehouses that offer good, blue-collar jobs. He notes the impact of white flight on communities, on the way that properties in neighborhoods decimated by “urban-renewal” programs are labeled as “high risk,” so would-be homebuyers, who are typically Black, are unable to secure mortgages, while their white counterparts in the suburbs easily obtain loans to purchase homes. He scoffs at the useless RAND Corporation and other organizations tasked with “fixing” the problems of America’s cities, blaming the deep corruption at city hall for allowing such harmful policies to be enacted. He mentions that Oakes, when he was in the district attorney’s office, often turned a blind eye to prosecuting arson, because those newly clear building sites could be redeveloped in the name of progress. Ray thinks about the way bribes circulate among corrupt men in power and realizes that it isn’t just the arsonists at work destroying Harlem: The city is crooked through and through.
When Ray returns home, it is late and the house is dark. John has left a note that he is at a friend’s party. Elizabeth arrives shortly after Ray, and the two talk about her evening. She’s been out for drinks with a girlfriend also working on the Oakes campaign. Just then, the doorbell rings. It is Pepper, deposited on their stoop by his attackers, bruised and bleeding.
Pepper regains consciousness in Ray’s apartment and explains that Reece Brown, one of Notch Walker’s enforcers, attacked him. Ray and Elizabeth insist that he spend the night in their spare room. Ray arranges for a doctor to visit him. The doctor provides Pepper with some medication, and Pepper remains in the Carney home to convalesce.
Three days later, he and Ray discuss Pepper’s recent assault. Pepper mulls over the events, trying to piece together what happened based on his own hazy memory and what he knows of Reece Brown. He’d met Brown while working security for Corky Bell’s poker game years ago. In the time since, Brown had gone to work for Notch Walker, and had risen through the ranks to become Walker’s right-hand man. To Pepper, Notch represents the new kind of organized criminal in Harlem. Heavily involved in drugs, gambling, and robberies, Walker is also part of the group of men, both criminals and those in city hall, responsible for arson and insurance scams. Pepper and Ray are searching for another of Walker’s men, Dan Hickey. When they find him, Pepper takes him by surprise and the two bring him to the abandoned Liberty Biscuit Co. building for questioning. Hickey tells them that Pepper was assaulted because Leon Drake, the man with whom Pepper had gotten into a fight in the course of his work for Ray, had complained to Notch Walker. Although a notorious arsonist, Hickey claims that Drake had not been responsible for the fire that injured young Albert Ruiz. He does tell them that Alexander Oakes is behind many neighborhood arson jobs. Oakes provides crooks with a location, and arsonists “finish” the job.
This piece of information piques Ray’s interest, and he asks for more detail. Hickey became involved with Oakes years earlier, while facing an extortion charge. For a small fee, Oakes (who was then in the district attorney’s office) had waived the charge, but their interactions hadn’t ended there. Oakes would show up periodically with the address of a building he wanted burned down. Sometimes it was part of an insurance scheme. Sometimes the address, once its building had been razed, would be slated for redevelopment funds. Other times, Oakes would accept clandestine payments from building owners who wanted to be rid of problem properties. The corruption ran deep.
Ray, Pepper, and a safe-cracker-turned-chemistry-teacher named Enoch Parker meet, planning to break into Oakes’s campaign office and dig through his records. They hope to find incriminating evidence that would link Oakes to his crimes. It is after 10:00 p.m., and Ray knows that Oakes will not be in the building. Parker gains entrance easily and is in and out quickly. The next morning, Ray is at his furniture store. His nephew shows up to work a few minutes early, as usual. Marie asks him how he is doing. It has the appearance of a normal day. Right as he finishes speaking to Marie, a firebomb explodes.
Two men in a red Cadillac hurl Molotov cocktails through the front window of Ray’s store. The fire ignites quickly, and although Ray and his employees attempt to extinguish it themselves, Marie calls the fire department. Ray hastily searches for his employees, and then evacuates his tenants from their homes in the units above the store. Later, he and Elizabeth discuss the fire. She tells him that she’s known for years that not all his business dealings are legitimate. She notes that even her father did his own fair share of shady deals back in the day. She wonders if the firebombing is linked to Ray’s work as a fence, but he thinks otherwise.
Ray and Pepper return to the Liberty Biscuit Co. building to question Dan Hickey further. Hickey believes Leon Drake threw the Molotov cocktails into Ray’s store. He also tells them that Reece works with Oakes as well as Notch Walker. Walker would not have been aware of the firebombing, but would certainly want his cut of anything Reece is involved in. Ray wonders if he can put this information to use somehow. He’d successfully sold out Munson to Walker a few years prior, but he’s unsure if he can parlay knowledge of Reece’s backdoor deals with Oakes into help from Walker. Ray and Pepper learn that Oakes wants to meet with them and would like his files back. They agree to the meeting, and the two head to the Dumas Club, concerned that it is after hours, meaning that they will be alone in the building with Oakes, Reece, and the hired muscle.
Pepper and Ray are ushered into the building quickly and quietly. Oakes is behind the bar, fixing himself a drink. Reece is also present. Shortly after their arrival, Leon Drake enters the room. Oakes speaks candidly to Ray, bragging that his own criminality vastly outshines that of his father. He then recalls the difficult days of Ray’s application to the Dumas Club, mentioning that he, like Ray’s father-in-law, had voted against Ray’s acceptance. He chuckles at the thought that the old power brokers had, although they had no proof, correctly identified Ray as a crook. He asks Ray if Elizabeth is aware of his illegal activities. Ray turns the question around, asking Oakes if Elizabeth is aware of his crimes. The final battle happens quickly: Reece fatally shoots Oakes, noting that his big mouth was a liability and that Walker would have gotten around to his murder eventually. Although Reece also tries to kill Pepper and Ray, Pepper shoots him first, and he and Ray escape just as the Dumas Club goes up in flames. Leon Drake, of course, lit the fire.
Ray meets with his insurance adjustor to assess the damage to his building. He’s told that he’s lucky that the site has “good bones,” and that he can rebuild. He plans to expand the showroom into the basement, repurpose the upper floors, and rearrange his layout. He hopes to help Elizabeth finance her own travel agency. He thinks about the various, extra-legal jobs he can take on to maintain a steady cash flow while his store is being rebuilt. Although the city and his store will never be the same again, life moves on in Harlem.
Part 3 introduces Alexander Oakes, a crucial secondary character. It is the most thematically focused of each of Crook Manifesto’s sections, and both Oakes’s characterization and the primary narrative work together to illustrate the theme of Corruption, Power, and Institutional Racism. Part 1 examined the way that corruption within the power structures of the New York Police Department adversely impacts Black neighborhoods like Harlem; in Part 3, the focus shifts to depict the systemic racism that arises from corruption within city leadership.
Alexander Oakes is the ostensible face of city hall corruption. When readers first encounter him, he is giving a campaign speech at Harlem’s Dumas Club as part of his campaign for borough president. He is a successful Harlemite, former district attorney, and childhood friend of Elizabeth. Although he appears upstanding, the truth is more complex. Like many of Crook Manifesto’s other characters, Oakes exemplifies The Situational Nature of Morality. In reality, Oakes is part of a vast network of crooked politicians, shady business owners, and corrupt city officials whose crimes range from arson to embezzlement of city funds. Oakes has a law degree and a successful career, but part of that career has always involved crime.
In Part 3, the novel’s various themes, symbols, and motifs coalesce to show how corruption and power in Harlem contribute to, and indeed create, systemic inequality. Arson, initially thought by Ray to be the work of isolated, small-time crooks like his father, is revealed as instead part of a citywide scam. Landlords allow their buildings to fall into disarray, in the process depriving their hardworking African American tenants of safe housing. Arsonists are hired to torch the buildings, and the owners receive a payout from their insurance companies. Building and city inspectors are paid to look the other way. District attorneys fail to prosecute the arsonists. The burned-out, former building sites can then be earmarked for redevelopment, freeing up city funds meant for “urban-renewal projects.” However, those projects do not always come to fruition, and when they do, they rarely benefit those in the neighborhood. Some of the money is siphoned off to various individuals involved in the arson scam. The neighborhood falls into further disrepair. The tax base shrinks, decreasing the number and quality of neighborhood services such as hospitals and community centers. Property values plummet, and because of high crime, it becomes exceedingly difficult for working-class Black New Yorkers to get mortgages in the area. Simultaneously, mortgages are made easier to obtain for (typically white) suburbanites, and the razed sites that do become the sites of “urban-renewal projects” are merely cleared for new transit systems that make travel easier for those who work in the city and travel to the suburbs. Whitehead writes of the damage that occurs when urban planners prioritize suburban commuters over those who actually live in the city: “Ramming the highways through, bulldozing so-called slums, but they were places people lived—black, white, Puerto Rican. Knock down the factories and warehouses, and you wipe out people’s livelihoods, too” (258). Redlining like this is one of the most insidious forms that institutional or systemic racism has taken in 20th-century America, and it is one of the most important ways that Whitehead engages with social issues within Crook Manifesto. The novel builds to this conclusion in a crescendo, and the embers that smoldered throughout each of the three parts explode in Part 3: literally in the form of the arsons at the Dumas Club and Ray’s store, and figuratively as Ray comes to understand the true nature of fire and urban decay in Harlem.
Violence remains an important motif in Part 3. Much of the violence in this section of Whitehead’s narrative bolsters his depictions of Corruption, Power, and Institutional Racism, and the “gangsters” in this section are often in the employ of city leaders like Oakes. Pepper becomes a victim of violence because Ray hires him to investigate the source of a recent neighborhood arson, and it becomes clear that in addition to damaging the neighborhood through fire and neglect, systemic racism’s impact can also be felt in Harlem’s violent, unsafe atmosphere.
There is, however, an antidote of sorts to the violence and systemic issues represented in Part 3 of Crook Manifesto: The Strength of the Black Family. Ray’s nephew Robert begins to work for him at his furniture store, and the depth of Ray’s love for the boy is apparent. In him, Ray sees remnants of the best part of Freddie (the boy’s father and Ray’s cousin), and Ray’s commitment to Robert is strong. He is as devoted to Robert as he is to his own children. He happily helps Robert purchase new clothing, and he takes note of the young man’s work ethic: Robert is always early for his shift. During the final scenes, when Ray’s store is firebombed, he turns to Elizabeth for support. Their mutual respect and the strength of their bond is on full display, and Ray offers to finance a small business for his wife: He has watched her skillfully run someone else’s travel agency for the entirety of their marriage, and he argues that she should be able to reap the benefits of her own hard work. Ultimately, Ray intends to rebuild and expand his store. Readers are left with the sense that Ray and his family will recover from the fire. Crook Manifesto thus ends on a hopeful note. Ray’s family remains strong and committed in the face of adversity. Although much of Part 3 showcases systemic racism and other widespread societal ills, it also suggests the possibility of a brighter future.
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By Colson Whitehead