46 pages • 1 hour read
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Heat-Moon, the first-person narrator of the book, is 38 when he undertakes the journey across and around America. He is recently unemployed and has been separated from his wife for nine months. As he begins his trip, Heat-Moon provides no explicit rationale for the project, but he drops in possible motivations as his narration unfolds. It is only at the end of the book that he confesses he is unsure what it he seeks.
Heat-Moon is a naturalist who wields a high intellect. His distinctive curiosity is a critical trait for the journey because it helps him engage all the people he meets along the way. He presents himself as a genuine person, and his authenticity seems verified by strangers’ intuitively trusting interactions with him. Heat-Moon is prone to emotional undulations throughout his travels, and, though some of this could be from road-weariness, the moodiness accords with his pensive and brooding nature. He is a marked thinker and highly reflective, reading into hidden meanings and seeing deeper significance in his environment no matter where he is. He similarly sees deeper meaning in the lives of those he encounters.
Heat-Moon’s reading selections for his travels say a lot about him. To develop his philosophical commentaries, he often quotes from Whitman’s Leaves of Grass and Neihardt’s Black Elk Speaks. Much like Blue Highways, both works concern the higher purposes of life.
Heat-Moon is multiracial with a complex ethnic identity as he is part European and part Osage Native American. He extensively discusses the white colonialist oppression of Native tribes, and while he tends to see the world from the cultural perspective of the Native American, he realizes the complicated nature of his own ancestral heritage.
The narrative most distinguishes Heat-Moon’s friend by how he is able to bring out a side of the author that is otherwise somewhat elusive. His direct manner and dry humor elicit the same from Heat-Moon, and moments of levity—as when Heat-Moon turns jokingly sarcastic with his friend Chisholm—are overall rare in a narrative that is by turns serious, heavy, dark, and challenging. Chisholm’s appearance in the journey is also uplifting for Heat-Moon, who is reinvigorated after three days with his friend.
While Chisholm is, in some ways, almost Heat-Moon’s alter-ego, he is a bit more rugged. Like Heat-Moon, He is of both European and Native descent, an aspiring writer, a college teacher, and appears to be chasing his life around rather than letting it just happen. Chisolm is an amiable figure, and the narrative makes plain the author’s affection for him. Even when Heat-Moon points out their differences—namely that Chisholm is loquacious and rambles along from one topic to the next—Heat-Moon is uncritical and instead finds his talkative friend endearing. Chisolm, too, is merely trying to make the best of what life has given him.
The friends spend much of their time together working on a stone wall, and, acting younger than they are, they push each other’s capabilities. Chisholm, perhaps even more so than Heat-Moon, refuses to accept his limitations, and his stubborn insistence on picking up the heaviest rocks betrays a competitive streak. It’s not the ability to pick up heavy rocks that impresses Heat-Moon; rather, it is Chisolm’s determination.
Walker is one of the African American men whom Heat-Moon meets in Selma, Alabama. Charles Davis is the other, but the author meets Walker first and has more dialogue with him. Walker’s commentary provides a deeper, more accurate reflection of race relations in the United States circa 1978. A veteran of the US Airforce, he recounts some of the abject discrimination he routinely faces and its impact on his perspective. He is resolute, but America’s wonted anti-Black racism has inevitably engendered his notable cynicism.
Answering Heat-Moon’s many inquiries, Walker shows a deep distrust in American institutions, particularly law-enforcement—a leeriness many African Americans share. One of the author’s central preoccupations is the nature of change and how people from all walks of life respond to it. Walker’s opinions—mainly that “ain’t nothing changed didn’t have to change” (100)—in some ways represent a countervailing force to Heat-Moon’s concept of change. Walker is a determined man, and he is wise to the ways of the world, but his world greatly differs from that of other figures in the text. Societal factors, specifically modernity and commercialism, have necessitated human adaptation—but, for Walker, there is the added force of racism, which often obstructs the privileged opportunity for such adaptation. Considering that hate is among the most formidable obstacles anyone can face, African Americans have shown uncommon prowess in adaptation and perseverance.
One of the final people whom Heat-Moon deeply engages, Middleton exemplifies geography’s impact on a person. Middleton, an octogenarian and former schoolteacher, resides in Smith Island, Maryland. She’s spent most of her life on the island, and like other senior citizens Heat-Moon encounters, she possesses a wisdom that comes only from lived experience. Heat-Moon highly values this trait, and Middleton provides a thorough perspective on the change of the 20th century, especially technological change. Born in 1915, she speaks about what life was like in her earlier years absent of such modern inventions as the telephone and even electricity. The island’s relative isolation creates in the residents a tremendous self-reliance, and Middleton epitomizes this virtue. She is tough, and her spirit is resilient. She has adapted to enormous change, but she has not lost her valuable, defining aspects.
Middleton is also witty, and she is up to the task of tit-for-tat banter. The book includes a photo of Middleton, and while her face appears stern and dour, her interactions with Heat-Moon contradict this impression. She is good-humored, kind, and eager to share the details of what life is like on Smith Island.
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