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As Sethe, Paul D, and Denver return home from the carnival, a young Black woman about 19 or 20 years old emerges from a nearby stream and settles on the porch of house 124. She wears a dress of black lace and a broken straw brim hat, resembling the “women who drink champagne when there is nothing to celebrate” (60). When Sethe discovers the woman on her porch, she immediately feels an urge to relieve herself. The urge is so strong that she does not make it to the toilet and urinates outside her outhouse. The lack of control reminds her of giving birth to Denver, when “there was no stopping water breaking from a breaking womb” (61). When Sethe returns to the house, Paul and Denver are pouring many cups of water for the dehydrated woman. After they ask her for her name, she tells them that it is “Beloved” (62). She does not have a last name.
Over the next few days, Sethe, Paul D, and Denver tend to Beloved, who appears to be ill with fever or cholera. Beloved sleeps in Grandma Baby Suggs’s old bed while Denver takes care of her. Beloved frequently wets the bed, and Denver hides and surreptitiously washes the soaked sheets to keep it a secret from the others. When Beloved finally wakes up, she hungers for sweets. The three devote themselves to her care. Eventually, Paul D grows suspicious of Beloved’s condition, telling Sethe that she “acts sick, sounds sick, but she don’t look sick” (67). He claims to have witnessed Beloved picking up a rocker with one hand and attests that Denver saw as well. When Sethe calls on Denver to corroborate Paul D’s story, Denver looks directly at Paul D and lies: “I didn’t see no such thing” (67).
Beloved continues to live in 124, following Sethe around with quiet devotion. One day after Paul D has left for work, Beloved says to Sethe, “Tell me your diamonds” (69). Sethe is confused at first but remembers that Mrs. Garner once gave her a pair of crystal earrings. When Sethe was about to marry Halle, she was not allowed to have an elaborate wedding as an enslaved woman. However, she crafted a wedding dress from scrap materials. When Mrs. Garner found out, she gave Sethe the earrings as a wedding gift. Sethe waited until she was free before she allowed Grandma Baby Suggs to pierce her ears so she could wear the earrings. When Denver asks Sethe the whereabouts of the earrings, Sethe replies vaguely that they are “long gone” (71).
On another day, the three women rush home, wet from the rain. When Sethe insists on unbraiding and combing Denver’s hair, Beloved asks Sethe, “Your woman she never fix up your hair?” (72). Sethe absentmindedly folds the laundry as she recalls her mother on the plantation where she was enslaved before her arrival at Sweet Home. Sethe’s mother never fixed Sethe’s hair, as she had to labor in the fields six days a week and slept all day out of exhaustion on Sundays. Another enslaved woman, Nan, often came to nurse Sethe. One day her mother took her to a smokehouse and showed her a circle and cross burned into a scar underneath her breast. She told Sethe, “If something happens to me and you can’t tell me by my face, you can know me by this mark” (72). At the time, Sethe did not understand that this mark was given by their master as a sign of ownership and requested a mark of her own so that her mother would recognize her, too. Her mother slapped her face in response. Not long after, Sethe’s mother was hanged. Nan told Sethe about how her mother came to the plantation by slave ship. Her mother “threw away” all her children except for Sethe—the only one of her children fathered by a Black man, and the only one conceived in an act of consensual sex..
When Sethe finishes her story, Denver is relieved that her mother’s painful recollection is over. She notices that Beloved’s questions probe at specific details of Sethe’s past. She wonders how Beloved can possibly know about these details.
Paul D notices that Beloved is “shining” (76), or becoming more attractive to him. Her womanly allure alarms him. He asks Beloved about her family and her origins, questions she dodges with vague answers. When Sethe tells Paul D not to antagonize Beloved, Beloved suddenly chokes on a raisin. Sethe and Denver rush to her care, leading her to Denver’s bedroom to rest. When Sethe later demands to know why Paul D is so suspicious of Beloved, he responds that he harbors no ill will toward Beloved, proclaiming, “I never mistreated a woman in my life” (80).
This leads Sethe to wonder about other men she has known, including Halle, who she believes abandoned her a long time ago. Paul D reveals that Halle was hiding in the barn when the schoolteacher’s nephews raped Sethe. Sethe is aghast, repeatedly uttering in disbelief, “He saw?” (81). Her disbelief is followed by anger that Halle did nothing to stop the rape. Paul D tells her, “It broke him” (82). The sight of Sethe being raped destroyed Halle mentally. Paul D tells her that the last time he saw Halle, he was smearing butter on his face, delirious from witnessing Sethe’s violation. When Sethe demands to know why Paul D did not say anything to Halle at the time, Paul D reveals that he had an iron bit in his mouth that prevented him from talking. The “bit” was a painful form of torture and humiliation used to punish enslaved people for perceived disobedience.
He tells Sethe that he tries hard to maintain his sanity, but there are times that broke him, too. For the first time in years, he is able to openly recall his traumatic past. While wearing the bit and being treated like an animal, Paul D remembers encountering Mister, the Sweet Home rooster that Paul D helped hatch, who was able to roam free in the yard. He realized that unlike this animal, “I wasn’t allowed to be and stay what I was […] wasn’t no way I’d ever be Paul D again, living or dead” (86). He also recalls the fates of himself and the other four Sweet Home men: “one crazy, one sold, one missing, one burnt and me licking iron with my hands crossed behind me” (86). When the memory becomes too much for Sethe to bear, she kneads Paul D’s knees as a way to comfort him but also to stop his story for the day.
In her bedroom, Denver watches Beloved dance. She figures out that Beloved is her dead sister returned from the afterlife. She asks Beloved why she came back to the world of the living. Beloved responds that she came back “to see her face” (88), which Denver realizes means their mother. Denver begs Beloved not to reveal her true identity to Sethe, which makes Beloved angry. Beloved stops dancing and demands, “Tell me how Sethe made you in the boat” (90).
Denver recites the story of her birth as it has been told to her. She explains that her brothers and sister were waiting for Sethe at Grandma Baby Suggs’ place. When Sethe escaped from Sweet Home, she was pregnant with Denver, and she ran into Amy, the kind white woman who rubbed her injured feet and placed cobwebs on her newly scarred back to patch the wounds. Amy also helped Sethe fashion shoes out of pieces of shawl and leaves. They walked to the river, where they came across a boat with holes and a single oar. Sethe’s labor pains began, and she crawled into the boat to give birth. As water entered the boat threatening to submerge it, Amy assisted Sethe through labor. Eventually, Sethe successfully gave birth, and the crude canoe made it to shore. Amy told Sethe she had to go, as she could not be seen with a fugitive enslaved woman. Amy said that if the baby should ever ask who helped bring her into the world, Sethe should say, “Miss Amy Denver. Of Boston” (100).
Signs of Beloved’s identity as Sethe’s dead child appear from their first encounter. Upon first seeing Beloved, Sethe feels her bladder swell, and she relieves herself near the shed like “water breaking from a breaking womb” (61). Beloved’s presence incites a maternal response from Sethe such that she experiences the feeling of a pregnant woman’s water breaking in her own body. She also has a visceral reaction to Beloved’s name, which is the sole word carved on the dead baby’s tombstone. While Sethe does not realize the connection between “the remembrance of the glittering headstone” (63), her uncontrollable bladder, and Beloved’s identity, Denver seems to recognize Beloved from the very beginning. When she learns Beloved’s name, she is “shaking” (63) and curious to know her.
As Denver suspects Beloved’s true identity before the others, she takes care to protect her sister from Paul D’s scrutiny. When Paul D tries to get Denver to corroborate his story about witnessing Beloved picking up a chair with supernatural ease, Denver chooses to lie, telling Sethe, “I didn’t see no such thing” (67). After Paul D’s interrogation causes Beloved to fall ill, Denver cares for Beloved in her room. They grow close enough that Denver confirms Beloved’s identity as her dead sister. While Denver anticipates this to be a moment of joyous reunification, Beloved proves temperamental and demanding. She reacts angrily when Denver cautions Beloved not to reveal her identity to Sethe out of fear that their mother will hurt Beloved as she did once before. She has a singular mission upon her return to the world of the living, which is “to see [Sethe’s] face” (88). To Denver’s disappointment, Beloved’s reasons for her return have nothing to do with her.
Beloved’s presence triggers the telling of stories from Sethe and Paul D’s pasts. With her frequent imperative of “tell me” (69), Beloved demands that Sethe and Denver share their stories of love, beauty, birth, and despair. For Sethe, the narrative of her past is an especially hard story to tell, yet Beloved’s insistence forces her to remember everything. For instance, she recalls the story of how her enslaved mother tossed aside all her children except Sethe, the only one conceived out of consensual sex with a Black man, rather than rape committed by a white man. Her mother’s story is echoed when Sethe tries to kill her own children later, though the circumstances are different.
By recounting these stories, Sethe is forced to relive her most traumatic memories, a difficult practice for someone who has repressed much of her past. This repression is especially evident in her unwillingness to receive Paul D’s narrative of painful memories. Paul D is willing to talk about his past whereas Sethe is reticent. As Paul D discusses his imprisonment in Alfred, Georgia, Sethe rubs his knees as a gesture of affection but also an expression of her desire for him to stop talking. Paul D’s vulnerability is too much for her to bear, but Beloved’s insistent presence will force her to confront the most difficult parts of her past whether she is ready or not.
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