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42 pages 1 hour read

Because Internet: Understanding the New Rules of Language

Nonfiction | Book | Adult | Published in 2019

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Chapters 4-6Chapter Summaries & Analyses

Chapter 4 Summary: “Typographical Tone of Voice”

One way to simplify online communications is to send individual utterances, one thought per transmission. For example, “how’s it going” is sent, followed by “just wondered if you wanted to chat sometime this week,” followed by “maybe tuesday?” (110-11) This makes the sender’s thoughts easy to read and avoids awkward punctuation.

Older users, or people more formally trained in writing, often instead separate their thoughts with ellipses (…) or dashes, but these, to younger users, suggest something unsaid rather than a shift to a new thought, something they’d rather indicate with a line break or a Send command.

Punctuation in ancient times was nearly non-existent; Medieval punctuation was somewhat random; early printing press operators regulated their punctuation, and dictionaries helped standardize those practices.

The tone of voice can be signaled in writing. ALL CAPS is used for emphasis and strong emotion—an entire text in all caps comes across as shouting—but some older users, long accustomed to all caps on telegrams, early computer displays, and printers, simply don’t recognize this. Another form of emphasis is extra letters, as in “yayyyy” and “nooo” (119). When used to indicate strong emotion, exclamation points have risen and fallen in popularity.

Length of online posts also carries meaning: People who write longer messages tend to be more polite. Politeness also increases the farther down a writer is in a group’s pecking order.  

Users, especially students, have decorated their communications using different fonts, colors, and spacings to create “sparkle excitement.” The use of hashtags (#) to demark searchable topics on Twitter has given rise to the offline expression “hashtag…” as in “hashtag mom joke” or “hashtag awkward!” (130) to indicate hidden meanings in an in-person comment.

Sarcasm and irony are the hardest moods to communicate in words. Over the centuries, many symbols have been proposed as indicators of irony, including upside-down exclamation points and backward question marks. Recent internet attempts, like “Mock </sarcasm> code or #sarcasm hashtags” (134), come across somewhat like explaining a joke. Beginning in 2007, the tildes (~) used in sparkle excitement shifted their meaning from playful enthusiasm toward playful cynicism, as: “Well, isn’t that ~special” (137). They join scare quotes and capitalizing ordinary words to convey double meanings.

Capitalization took some effort, and some people simply typed without capitals. Smartphones arrived in 2007 with built-in auto-capitalization, and typing all lower-case got harder: Doing so now meant something ironic and perhaps rebellious, especially when accompanied by a lack of punctuation. In 2012, a Tumblr user famously posted, “when did tumblr collectively decide not to use punctuation like when did this happen why is this a thing” (145).

Thus, irony and other subtle forms of online writing arose, not from an officially designated symbol but from creative typography developed by everyday users. 

Chapter 5 Summary: “Emoji and Other Internet Gestures”

Written language lacks the gestures and facial expressions of in-person conversation. Emoji—the little animated faces, hands, and objects that people often embed in their texts and chats—aren’t a separate language: It’s impossible, for example, to give a scientific lecture entirely with emoji. Emoji can, though, be analyzed as gestures.

Some emoji have become emblems with their own names—wink, thumbs up, jazz hands. Others have acquired emblematic status, their names transferring back into writing: The eggplant emoji, for example, widely used as a phallic symbol, has shifted the meaning of “eggplant” in written communications. Gifs sometimes serve as animated emoji, and some have been back-transformed into written expressions, as when excitement is represented by a gif of a wide-eyed Michael Jackson watching a movie while eating popcorn, which has been condensed to the phrase “*popcorn.gif*” (164).

Some gestures have no names, convey no meaning, and have no emoji. These forms of “co-speech” seem to be part of a speaker’s mental process; without them, people don’t do as well on math and certain visual puzzles. For other gestures, emoji need to be specific, and various emoji developers have converged on standardized shapes: The joyful dancing lady image can no longer be replaced when sent across platforms by a male disco dancer or a rose in a mouth. On the other hand, “illustrator emoji”—for example, cakes, gifts, sparkles, and confetti—can vary widely.

Emoji almost never tell stories; instead, like gestures, they transmit single ideas. Emojis can get repeated for emphasis: Several hearts in a row, or several thumbs up, mean strong affection or strong agreement, respectively. In general, emoji clarify the intent of a message—a smiley face can change an insult to a tease—in the manner of gestures.

With the advent of printing, setting letter type was repeatable and cheap, but illustrations were unique and expensive. Thus, books became mostly about written words. The first internet picture icons were made of punctuation, the most famous being the “smiley” or :-) that signified humor. These emotional icons, or “emoticons,” served the function later taken by emoji.

In 1997, Japanese phone companies figured out how to send a numeric code that devices could recognize as an emoji already installed in memory; this made the tiny icons cheap to send. Emoji combine the richer animation of a gif with the single-line ease of use of emoticons. They were introduced to smartphones in 2011 and have become wildly popular worldwide. The Unicode Consortium rolls out about 100 new ones each year.

In making gestural communication more accessible to writers, emoji add to our arsenal of techniques for getting across ideas, feelings, and multiple levels of meaning. 

Chapter 6 Summary: “How Conversations Change”

Learning how to walk took time but rewarded practice, and once a person knows how, they’ve got it for life. Conversation also takes time to master, but its norms are in flux, especially on the internet, and we must constantly update our knowledge of its rules.

Phatic expressions are sets of fairly meaningless words that begin or end communications—“What’s up?”—acknowledge a transaction—“Thanks” and “You’re welcome”—and otherwise smooth out interactions. We’re generally unaware of these connectors until something changes them.

The first big technical alteration in live conversation came from the telephone, which complicated ordinary greetings. The person who answered didn’t yet know who was calling, so a new convention was established, the word “hello,” which also caught on everywhere else, its meaning shifting from a summons to a general-purpose greeting.

Over time, though, “hello” has gotten replaced in many social situations with “hi” and “hey.” Emails once began with “Dear,” but that vestigial phatic usage, along with “Sincerely” at the end, is fading away, much as “Your Obedient Servant” and related colorful greetings and farewells of past centuries disappeared from letter writing (206).

Conversation is about taking turns, and it’s a rapid-fire process: Pauses of as little as 0.2 seconds after a question can cause someone to repeat it. Timing is important, and we listen for signals that the other person is done so we can reply seamlessly. People signal they’ve finished talking by a pitch change, looking back at the listener, or other subtle cues; it’s easy to get these signals wrong and interrupt.

At first, online chat systems overlapped everyone’s typing; soon, separate chat boxes were assigned to each user. This, too, proved awkward and was replaced by streaming systems that let people compose first and then send, generating a rapid-fire back-and-forth that moves down a page and that people can handle easily. This has been the standard format of chat since the early 1980s.

On today’s devices, a chat or texting stream is presented as one continuous conversation. Chat and text are so convenient—you can see who’s contacting you, and you can respond quickly and quietly when you have a moment—that they’ve replaced phone calls for most purposes.

The appeal of Facebook, Twitter, and other forums for chat is that they create a “third place,” beyond home and work, where people can get together. Third places include coffee shops, bars, malls, school hallways, and bingo parlors; they’re where people catch up and share news. The internet also is a third place: Online, people can join a book club or chess group or cooking class or TV-show fan club and develop new friendships while obtaining information on favorite topics.

They also can simply join Facebook, Twitter, Instagram, and other general-purpose online spaces where their friends already congregate. Young people especially tend to do this, and “social media is taking on the functions of a hangout place for teenagers” (227).

A lot of internet conversation is deliberately obscure: It’s for certain members only, hints at a problem with an unnamed person, or hides political dissent from repressive governments. Nicknames for small kids permit parents to discuss them without damaging the kids’ later online reputations; song lyrics suggest feelings about others without addressing them directly. Threads tend to follow their original tone: Hateful speech begets hateful harangues, and polite posts generate considerate comments. 

Chapters 4-6 Analysis

These chapters focus on the main features of online communication—typography, emoji, and chat—that have altered our writing styles and opened up new possibilities for better understanding.

Many innovations in online communication have to do with managing the unruly chaos that sometimes erupts there. For this, the internet has evolved informal rules of etiquette, or “netiquette,” to help calm the waters.

For example, one way to separate one’s thoughts while chatting online is to send each as a separate message. This is smoother and more fashionable than putting dots or dashes between ideas; that’s what old fuddy-duddies do. Another problem with using three dots in a row is that they can suggest things unsaid or communicate passive aggression. During the 2010s, some people responded to texts they didn’t like with a simple reply of three dots, as if to say, “Your comment is too stupid to address.”

Sending a series of separate texts, though, also can annoy the recipient with several distracting dings on their internet device. This can be especially troublesome at work, in a meeting, at a lecture or concert, or at dinner. The author suggests putting line spaces between thoughts and sending them all in a single, longer message. During a rapid-fire conversation, there isn’t always time to consider these options carefully; thus, online communication remains an imperfect art that requires a lot of judgment calls.

Some of the author’s observations cross over into literary critique. She cites a 2014 tweet by comedian Jonny Sun that uses novel effects to tell a story and transmit a mood:

‘i just want to go home’ said the astronaut.
‘so come home’ said ground control.
‘‘ s o c o m e h o m e’’ said the voice from the stars (146).

The author comments that “this tweet tells a story about the conflict between longing for the familiar and the unknown, about our dual identities as earthlings and as stardust” (146). The line between linguistic and literary analysis thus blurs, though this isn’t necessarily a bad thing: It points up the connections between the two fields, and it suggests an ongoing and fruitful relationship between them.

Languages work better when they’re simple, but their formal complexities enable people to signal high status: If a person were knowledgeable about the subjunctive case, which adds complexity to verbs, they might show it off and demonstrate their superior education. Like in-groups at school, the elites of any society have their own ways of speaking that set them apart from everyone else; as outsiders try to emulate them, formal language becomes more complex. Even in informal conversation, many people speak “correctly” to be seen as special.

Contrasting with this is our desire to be friendly and not appear stuffy. Too much status signaling puts people off. Overall, as often as new phrasings simplify and unify our chatter, other expressions move in to set us apart. Whether the internet resolves that conflict in one direction or the other remains to be seen. 

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